Rav Elazar Fleckeles of Bohemia, Prague zt"l

הרב אלעזר בן דוד פלקלס זצ"ל

Nissan 20 , 5586 / Sivan 17 , 5586

Father's Name: Dovid Fleckeles


Rav Elazar Fleckeles of Bohemia, Prague zt"l

El‘azar Fleckeles was born to a well-off, patrician family in Prague; his father served as an elder of the Jewish community. Fleckeles studied in the yeshivas of Mosheh Kohen Rofe and Me’ir Fischels and then, for a decade, with his prime mentor, Yecḥezkel Landau, the rabbi of Prague, becoming his favorite disciple. Fleckeles’s wife, Esther, also belonged to one of the oldest and most prestigious Prague families, the Bondys.

In stereotypical fashion, Fleckeles entered the rabbinate perforce after going bankrupt. He served from 1779 to 1783 as the rabbi of the Moravian community of Goitein (Kojetín), and then received a call to return to Prague to take up the posts of rabbi in a kloyz (a study hall established by a private fund) and judge in the community’s extensive court system. He rose gradually to become the presiding judge (Oberjurist), the rosh or rav bet din, in 1801—the highest religious post in Prague, since the position of chief rabbi or av bet din remained unfilled for almost 50 years after the death of Landau in 1793.

Besides lecturing in the yeshiva, Fleckeles was also a gifted and controversial preacher, who published a four-volume series of sermons, ‘Olat ḥodesh (though several volumes carry an additional title), between 1785 and 1800. (A famous series of paintings depicting the Prague burial society shows him delivering a eulogy in the graveyard.) He was also an important halakhic authority, whose responsa, Teshuvah me-ahavah (3 vols.; 1809, 1815, 1821), were published during his lifetime.

It was the publication of his second volume of sermons, subtitled ‘Olat ha-tsibur (1787), that propelled Fleckeles into the midst of the brewing Kulturkampf between maskilim and the rabbinical establishment in the 1780s. His sermons lashed out against the growing laxity and acculturation of the times, as well as against Netivot ha-shalom, Moses Mendelssohn’s German translation of the Bible, and its Bi’ur commentary. Fleckeles’s name had already appeared in 1785 alongside those of Landau and other members of the rabbinical court in an approbation endorsing Zusman Glogau’s rival Bible translation and explaining why it was preferred to Mendelssohn’s unnamed one. Fleckeles was attacked in the maskilic journal Ha-Me’asef for being the actual author of the approbation (a remark alluding to an insignificant student could only have referred to him), and later by David Friedländer in an extensive review of the sermons.

Fleckeles’s sermons were later reprinted and even anthologized by such ultra-Orthodox opponents of the Haskalah as Akiva Yosef Schlesinger. Yet, surprisingly, there is evidence that by the 1790s, his own stance had moderated. He cited the maskil Naftali Herts Wessely approvingly and later in life would insist that the Prague rabbinic court had opposed Mendelssohn’s work purely on pedagogic grounds. He enjoyed the close cooperation of Prague maskilim, in particular that of Marcus Fischer (the grandson of his teacher, Me’ir Fischels), who translated an important statement by Fleckeles on religious toleration toward Christians (Geist des Judenthums: Frey bearbeitet nach dem Hebräischen von M. Fischer; 1813). It was a stance that Fleckeles was to reiterate in a friendly Hebrew correspondence he conducted with the censor Karl Fischer, in which Jewish customs and practices offensive to gentiles, such as avoiding studying Torah on Christmas Eve (Yid., nitl) or the open disparagement expressed in Yiddish in front of uncomprehending non-Jews, was discussed. There is even a query raised by Fischer in this correspondence, on the binding nature of oaths to non-Jews that is included in Fleckeles’s Teshuvah me-ahavah (pt. 1, sec. 26), a responsum to a Christian that is perhaps unique in the annals of rabbinic literature.

This universalistic and rationalistic turn in Fleckeles’s thinking may be attributed in part to a reaction against the havoc wreaked by the public ascendancy in the mid-eighteenth century of the Kabbalah and its related movements—Hasidism and, more relevantly in the Bohemian milieu, Sabbatianism. Fleckeles had clashed earlier with Sabbatians in Goitein. In the summer of 1799, he instigated a fierce campaign against the resurgence of the last remnants of the movement that formed around the prestigious Wehle family in Prague. The fourth volume of his sermons, Ahavat David (1800), agitated against the sect and earned him several days in jail.

In a fashion similar to that of his mentor Landau, Fleckeles viewed the threat that Sabbatianism posed to tradition, in particular to the centrality of Talmud and its study, as emanating from excesses of both rationalism and mysticism. Hence even legitimate Kabbalah and its derived practices, such as prefacing mystical intentional formulae to the recitation of blessings, should, he believed, play no public role. Rather, as in days of yore, such practices should become esoteric observances restricted to a learned elite. Fleckeles also denounced religious reform, participating with his Prague colleagues in condemning the Hamburg Temple reforms in particular.

Fleckeles’s son-in-law, Yom Tov Spitz, published his biography soon after his death. The poet and radical politician Moritz Hartmann was Fleckeles’s grandson.
https://yivoencyclopedia.org/article.aspx/fleckeles_elazar_ben_david

Austrian rabbi and author; born in Prague Aug. 26, 1754; died there April 27, 1826. He was the pupil of Moses Cohen Rofe, Meïr Fischels, and Ezekiel Landau. At the age of twenty-four he became rabbi of Kojetein, a small town in Moravia. In 1780 he was appointed dayyan in his native city. Later he accepted the office of rabbi of the bet ha-midrash founded by Joachim Popper and Israel Fränkel. Fleckeles was renowned for his scholarship and oratorical gifts, and for his skill in worldly affairs. He twice had audience with Emperor Francis I.

Fleckeles wrote: "'Olat Ḥodesh," in four parts, containing sermons, a criticism of Mendelssohn's translation of the Pentateuch, and an address directed against the followers of the pseudo-Messiah Shabbethai Ẓebi, Prague, 1785-1800; "Teshubah me-Ahabah," responsa, in three parts (the responsum concerning Eleazar ha-Kalir is often quoted by writers on Jewish hymnology), Prague, 1800-21; a funeral sermon on the occasion of the death of Joachim Edler von Popper, ib. 1795; "Meleket ha-Ḳodesh," two funeral sermons and two essays on the holy names of the Lord which occur in the Scriptures; "Nefesh Dawid we Nefesh Ḥayyah," delivered by the author on the death of his parents, ib. 1812; "Ma'ase de-Rabbi Eliezer," a commentary on the Haggadah of Passover, ib. 1812; "Mebasser Tob," two sermons delivered by the author on the occasion of the victory of the Austrian army at Naples in 1821, ib. 1821; "Ḥazon la-Mo'ed," a part of his "Sefer ha-Doresh," ib. 1824; "Mille de-Abot," a commentary on Pirḳe Abot; "Mille de-Oraita," sermons. Many of his sermons were translated into German by J. Jeitteles, Marcus Fisher, and Isaac Spitz.
https://www.jewishencyclopedia.com/articles/6182-fleckeles-eleazar-ben-david



Tehillim Leilui Nishmas Rav Elazar Fleckeles of Bohemia, Prague
אַשְׁרֵי תְמִימֵי דָרֶךְ הַהֹלְכִים בְּתוֹרַת יְהוָה: אַשְׁרֵי נֹצְרֵי עֵדֹתָיו בְּכָל לֵב יִדְרְשׁוּהוּ: אַף לֹא פָעֲלוּ עַוְלָה בִּדְרָכָיו הָלָכוּ: אַתָּה צִוִּיתָה פִקֻּדֶיךָ לִשְׁמֹר מְאֹד: אַחֲלַי יִכֹּנוּ דְרָכָי לִשְׁמֹר חֻקֶּיךָ: אָז לֹא אֵבוֹשׁ בְּהַבִּיטִי אֶל כָּל מִצְוֹתֶיךָ: אוֹדְךָ בְּיֹשֶׁר לֵבָב בְּלָמְדִי מִשְׁפְּטֵי צִדְקֶךָ: אֶת חֻקֶּיךָ אֶשְׁמֹר אַל תַּעַזְבֵנִי עַד מְאֹד:

לְעוֹלָם יְהוָה דְּבָרְךָ נִצָּב בַּשָּׁמָיִם: לְדֹר וָדֹר אֱמוּנָתֶךָ כּוֹנַנְתָּ אֶרֶץ וַתַּעֲמֹד: לְמִשְׁפָּטֶיךָ עָמְדוּ הַיּוֹם כִּי הַכֹּל עֲבָדֶיךָ: לוּלֵי תוֹרָתְךָ שַׁעֲשֻׁעָי אָז אָבַדְתִּי בְעָנְיִי: לְעוֹלָם לֹא אֶשְׁכַּח פִּקּוּדֶיךָ כִּי בָם חִיִּיתָנִי: לְךָ אֲנִי הוֹשִׁיעֵנִי כִּי פִקּוּדֶיךָ דָרָשְׁתִּי: לִי קִוּוּ רְשָׁעִים לְאַבְּדֵנִי עֵדֹתֶיךָ אֶתְבּוֹנָן: לְכָל תִּכְלָה רָאִיתִי קֵץ רְחָבָה מִצְוָתְךָ מְאֹד:

עָשִׂיתִי מִשְׁפָּט וָצֶדֶק בַּל תַּנִּיחֵנִי לְעֹשְׁקָי: עֲרֹב עַבְדְּךָ לְטוֹב אַל יַעַשְׁקֻנִי זֵדִים: עֵינַי כָּלוּ לִישׁוּעָתֶךָ וּלְאִמְרַת צִדְקֶךָ: עֲשֵׂה עִם עַבְדְּךָ כְחַסְדֶּךָ וְחֻקֶּיךָ לַמְּדֵנִי: עַבְדְּךָ אָנִי הֲבִינֵנִי וְאֵדְעָה עֵדֹתֶיךָ: עֵת לַעֲשׂוֹת לַיהוָה הֵפֵרוּ תּוֹרָתֶךָ: עַל כֵּן אָהַבְתִּי מִצְוֹתֶיךָ מִזָּהָב וּמִפָּז: עַל כֵּן כָּל פִּקּוּדֵי כֹל יִשָּׁרְתִּי כָּל אֹרַח שֶׁקֶר שָׂנֵאתִי:

זְכֹר דָּבָר לְעַבְדֶּךָ עַל אֲשֶׁר יִחַלְתָּנִי: זֹאת נֶחָמָתִי בְעָנְיִי כִּי אִמְרָתְךָ חִיָּתְנִי: זֵדִים הֱלִיצֻנִי עַד מְאֹד מִתּוֹרָתְךָ לֹא נָטִיתִי: זָכַרְתִּי מִשְׁפָּטֶיךָ מֵעוֹלָם יְהוָה וָאֶתְנֶחָם: זַלְעָפָה אֲחָזַתְנִי מֵרְשָׁעִים עֹזְבֵי תּוֹרָתֶךָ: זְמִרוֹת הָיוּ לִי חֻקֶּיךָ בְּבֵית מְגוּרָי: זָכַרְתִּי בַלַּיְלָה שִׁמְךָ יְהוָה וָאֶשְׁמְרָה תּוֹרָתֶךָ: זֹאת הָיְתָה לִּי כִּי פִקֻּדֶיךָ נָצָרְתִּי:

רְאֵה עָנְיִי וְחַלְּצֵנִי כִּי תוֹרָתְךָ לֹא שָׁכָחְתִּי: רִיבָה רִיבִי וּגְאָלֵנִי לְאִמְרָתְךָ חַיֵּנִי: רָחוֹק מֵרְשָׁעִים יְשׁוּעָה כִּי חֻקֶּיךָ לֹא דָרָשׁוּ: רַחֲמֶיךָ רַבִּים יְהוָה כְּמִשְׁפָּטֶיךָ חַיֵּנִי: רַבִּים רֹדְפַי וְצָרָי מֵעֵדְוֹתֶיךָ לֹא נָטִיתִי: רָאִיתִי בֹגְדִים וָאֶתְקוֹטָטָה אֲשֶׁר אִמְרָתְךָ לֹא שָׁמָרוּ: רְאֵה כִּי פִקּוּדֶיךָ אָהָבְתִּי יְהוָה כְּחַסְדְּךָ חַיֵּנִי: רֹאשׁ דְּבָרְךָ אֱמֶת וּלְעוֹלָם כָּל מִשְׁפַּט צִדְקֶךָ:



בַּמֶּה יְזַכֶּה נַּעַר אֶת אָרְחוֹ לִשְׁמֹר כִּדְבָרֶךָ: בְּכָל לִבִּי דְרַשְׁתִּיךָ אַל תַּשְׁגֵּנִי מִמִּצְוֹתֶיךָ: בְּלִבִּי צָפַנְתִּי אִמְרָתֶךָ לְמַעַן לֹא אֶחֱטָא לָךְ: בָּרוּךְ אַתָּה יְהוָה לַמְּדֵנִי חֻקֶּיךָ: בִּשְׂפָתַי סִפַּרְתִּי כֹּל מִשְׁפְּטֵי פִיךָ: בְּדֶרֶךְ עֵדְוֹתֶיךָ שַׂשְׂתִּי כְּעַל כָּל הוֹן: בְּפִקֻּדֶיךָ אָשִׂיחָה וְאַבִּיטָה אֹרְחֹתֶיךָ: בְּחֻקֹּתֶיךָ אֶשְׁתַּעֲשָׁע לֹא אֶשְׁכַּח דְּבָרֶךָ:

נֵר לְרַגְלִי דְבָרֶךָ וְאוֹר לִנְתִיבָתִי: נִשְׁבַּעְתִּי וָאֲקַיֵּמָה לִשְׁמֹר מִשְׁפְּטֵי צִדְקֶךָ: נַעֲנֵיתִי עַד מְאֹד יְהוָה חַיֵּנִי כִדְבָרֶךָ: נִדְבוֹת פִּי רְצֵה נָא יְהוָה וּמִשְׁפָּטֶיךָ לַמְּדֵנִי: נַפְשִׁי בְכַפִּי תָמִיד וְתוֹרָתְךָ לֹא שָׁכָחְתִּי: נָתְנוּ רְשָׁעִים פַּח לִי וּמִפִּקּוּדֶיךָ לֹא תָעִיתִי: נָחַלְתִּי עֵדְוֹתֶיךָ לְעוֹלָם כִּי שְׂשׂוֹן לִבִּי הֵמָּה: נָטִיתִי לִבִּי לַעֲשׂוֹת חֻקֶּיךָ לְעוֹלָם עֵקֶב:



דָּבְקָה לֶעָפָר נַפְשִׁי חַיֵּנִי כִּדְבָרֶךָ: דְּרָכַי סִפַּרְתִּי וַתַּעֲנֵנִי לַמְּדֵנִי חֻקֶּיךָ: דֶּרֶךְ פִּקּוּדֶיךָ הֲבִינֵנִי וְאָשִׂיחָה בְּנִפְלְאוֹתֶיךָ: דָּלְפָה נַפְשִׁי מִתּוּגָה קַיְּמֵנִי כִּדְבָרֶךָ: דֶּרֶךְ שֶׁקֶר הָסֵר מִמֶּנִּי וְתוֹרָתְךָ חָנֵּנִי: דֶּרֶךְ אֱמוּנָה בָחָרְתִּי מִשְׁפָּטֶיךָ שִׁוִּיתִי: דָּבַקְתִּי בְעֵדְוֹתֶיךָ יְהוָה אַל תְּבִישֵׁנִי: דֶּרֶךְ מִצְוֹתֶיךָ אָרוּץ כִּי תַרְחִיב לִבִּי: הוֹרֵנִי יְהוָה דֶּרֶךְ חֻקֶּיךָ וְאֶצְּרֶנָּה עֵקֶב:

וִיבֹאֻנִי חֲסָדֶךָ יְהוָה תְּשׁוּעָתְךָ כְּאִמְרָתֶךָ: וְאֶעֱנֶה חֹרְפִי דָבָר כִּי בָטַחְתִּי בִּדְבָרֶךָ: וְאַל תַּצֵּל מִפִּי דְבַר אֱמֶת עַד מְאֹד כִּי לְמִשְׁפָּטֶךָ יִחָלְתִּי: וְאֶשְׁמְרָה תוֹרָתְךָ תָמִיד לְעוֹלָם וָעֶד: וְאֶתְהַלְּכָה בָרְחָבָה כִּי פִקֻּדֶיךָ דָרָשְׁתִּי: וַאֲדַבְּרָה בְעֵדֹתֶיךָ נֶגֶד מְלָכִים וְלֹא אֵבוֹשׁ: וְאֶשְׁתַּעֲשַׁע בְּמִצְוֹתֶיךָ אֲשֶׁר אָהָבְתִּי: וְאֶשָּׂא כַפַּי אֶל מִצְוֹתֶיךָ אֲשֶׁר אָהָבְתִּי וְאָשִׂיחָה בְחֻקֶּיךָ:

דָּבְקָה לֶעָפָר נַפְשִׁי חַיֵּנִי כִּדְבָרֶךָ: דְּרָכַי סִפַּרְתִּי וַתַּעֲנֵנִי לַמְּדֵנִי חֻקֶּיךָ: דֶּרֶךְ פִּקּוּדֶיךָ הֲבִינֵנִי וְאָשִׂיחָה בְּנִפְלְאוֹתֶיךָ: דָּלְפָה נַפְשִׁי מִתּוּגָה קַיְּמֵנִי כִּדְבָרֶךָ: דֶּרֶךְ שֶׁקֶר הָסֵר מִמֶּנִּי וְתוֹרָתְךָ חָנֵּנִי: דֶּרֶךְ אֱמוּנָה בָחָרְתִּי מִשְׁפָּטֶיךָ שִׁוִּיתִי: דָּבַקְתִּי בְעֵדְוֹתֶיךָ יְהוָה אַל תְּבִישֵׁנִי: דֶּרֶךְ מִצְוֹתֶיךָ אָרוּץ כִּי תַרְחִיב לִבִּי: הוֹרֵנִי יְהוָה דֶּרֶךְ חֻקֶּיךָ וְאֶצְּרֶנָּה עֵקֶב:



נֵר לְרַגְלִי דְבָרֶךָ וְאוֹר לִנְתִיבָתִי: נִשְׁבַּעְתִּי וָאֲקַיֵּמָה לִשְׁמֹר מִשְׁפְּטֵי צִדְקֶךָ: נַעֲנֵיתִי עַד מְאֹד יְהוָה חַיֵּנִי כִדְבָרֶךָ: נִדְבוֹת פִּי רְצֵה נָא יְהוָה וּמִשְׁפָּטֶיךָ לַמְּדֵנִי: נַפְשִׁי בְכַפִּי תָמִיד וְתוֹרָתְךָ לֹא שָׁכָחְתִּי: נָתְנוּ רְשָׁעִים פַּח לִי וּמִפִּקּוּדֶיךָ לֹא תָעִיתִי: נָחַלְתִּי עֵדְוֹתֶיךָ לְעוֹלָם כִּי שְׂשׂוֹן לִבִּי הֵמָּה: נָטִיתִי לִבִּי לַעֲשׂוֹת חֻקֶּיךָ לְעוֹלָם עֵקֶב:

שָׂרִים רְדָפוּנִי חִנָּם (ומדבריך) וּמִדְּבָרְךָ פָּחַד לִבִּי: שָׂשׂ אָנֹכִי עַל אִמְרָתֶךָ כְּמוֹצֵא שָׁלָל רָב: שֶׁקֶר שָׂנֵאתִי וַאֲתַעֵבָה תּוֹרָתְךָ אָהָבְתִּי: שֶׁבַע בַּיּוֹם הִלַּלְתִּיךָ עַל מִשְׁפְּטֵי צִדְקֶךָ: שָׁלוֹם רָב לְאֹהֲבֵי תוֹרָתֶךָ וְאֵין לָמוֹ מִכְשׁוֹל: שִׂבַּרְתִּי לִישׁוּעָתְךָ יְהוָה וּמִצְוֹתֶיךָ עָשִׂיתִי: שָׁמְרָה נַפְשִׁי עֵדֹתֶיךָ וָאֹהֲבֵם מְאֹד: שָׁמַרְתִּי פִקּוּדֶיךָ וְעֵדֹתֶיךָ כִּי כָל דְּרָכַי נֶגְדֶּךָ:

מָה אָהַבְתִּי תוֹרָתֶךָ כָּל הַיּוֹם הִיא שִׂיחָתִי: מֵאֹיְבַי תְּחַכְּמֵנִי מִצְוֹתֶךָ כִּי לְעוֹלָם הִיא לִי: מִכָּל מְלַמְּדַי הִשְׂכַּלְתִּי כִּי עֵדְוֹתֶיךָ שִׂיחָה לִֿי: מִזְּקֵנִים אֶתְבּוֹנָן כִּי פִקּוּדֶיךָ נָצָרְתִּי: מִכָּל אֹרַח רָע כָּלִאתִי רַגְלָי לְמַעַן אֶשְׁמֹר דְּבָרֶךָ: מִמִּשְׁפָּטֶיךָ לֹא סָרְתִּי כִּי אַתָּה הוֹרֵתָנִי: מַה נִּמְלְצוּ לְחִכִּי אִמְרָתֶךָ מִדְּבַשׁ לְפִי: מִפִּקּוּדֶיךָ אֶתְבּוֹנָן עַל כֵּן שָׂנֵאתִי כָּל אֹרַח שָׁקֶר:

הֲבִינֵנִי וְאֶצְּרָה תוֹרָתֶךָ וְאֶשְׁמְרֶנָּה בְכָל לֵב: הַדְרִיכֵנִי בִּנְתִיב מִצְוֹתֶיךָ כִּי בוֹ חָפָצְתִּי: הַט לִבִּי אֶל עֵדְוֹתֶיךָ וְאַל אֶל בָּצַע: הַעֲבֵר עֵינַי מֵרְאוֹת שָׁוְא בִּדְרָכֶךָ חַיֵּנִי: הָקֵם לְעַבְדְּךָ אִמְרָתֶךָ אֲשֶׁר לְיִרְאָתֶךָ: הַעֲבֵר חֶרְפָּתִי אֲשֶׁר יָגֹרְתִּי כִּי מִשְׁפָּטֶיךָ טוֹבִים: הִנֵּה תָּאַבְתִּי לְפִקֻּדֶיךָ בְּצִדְקָתְךָ חַיֵּנִי:

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